Line is one of our earliest works investigating the ways in which we read and understand objects and the systems behind representation and language.
The movie is composed of what is happening in the screen and the images and thoughts generated whilst viewing it. The line is re-contextualised by the changing words, generating different images and points of view inside our heads, and it is the combination of these two elements which is the actual movie. This film works as a film essay, where there are exposed parts, the film screened, and an inward projection, the visual thought prompted by the combination of the line and words.